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We encounter in our lives things and situations that elicit from us special forms of attention. They affect and inform us in various ways, drawing us in and holding us in their grasp or turning us away. Works of art of all sorts, and nature in its myriad manifestations, exemplify these luring and repelling qualities and potencies. Dimensions of Aesthetic Encounters explores central perceptual, interpretative, and semiotic dimensions of these encounters,...
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Walter Kaufmann (1921–1980) was the Stuart Professor of Philosophy at Princeton University, where he taught for more than thirty years. His many books include Nietzsche: Philosopher, Psychologist, Antichrist and Critique of Religion and Philosophy (both Princeton).
A classic book by one of the twentieth century's most innovative and adventurous thinkers
First published in 1959, From Shakespeare to Existentialism offers Walter Kaufmann's critical...
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"I am no specialist in the study of Lucretius, I am not a Dante scholar nor a Goethe scholar....My excuse for writing about them, notwithstanding, is merely the human excuse which every new poet has for writing about the spring. They have attracted me, they have moved me to reflection, they have revealed to me certain aspects of nature and of philosophy which I am prompted by mere sincerity to express, if anybody seems interested or willing to listen."
The...
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Does God play cards with the universe? Do women have better poker faces than men? What's the most existential poker movie ever made? Is life more meaningful when you go all-in? Is online poker really still poker? Poker and Philosophy ponders these questions and more, pitting young lions against old masters as the brashness of Phil Hellmuth meets the arrogance of Socrates, the recklessness of Doyle Brunson challenges the desperation of Dostoyevsky,...
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"La querella de los bufones" surgida en un momento de crisis tanto poética como institucional del modelo francés de teatro musical, desborda ampliamente los márgenes de una de aquellas controversias sobre el gusto dirimidas hasta entonces en los salones de moda. Cuando los enciclopedistas se juntan en torno a la enseña de la ópera bufa italiana y critican la tragedia musical francesa, lo hacen en tanto que símbolo de una monarquía abocada al...
26) Imaginary Games
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Can games be art? When film critic Roger Ebert claimed in 2010 that videogames could never be art it was, seen as a snub by many gamers. But, from the perspective of philosophy of art this question was topsy turvey, since according to one of the most influential theories of representation all art is a game. Kendall Walton's prop theory explains how we interact with paintings, novels, movies and other artworks in terms of imaginary games, like a child's...
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A study of the significance of the visual arts in Merleau-Ponty's aesthetics in relation to the work of five artists not known or discussed by him.
Merleau-Ponty's phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote...
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What is art? The arts establishment has a simple answer: anything is art if a reputed artist or expert says it is. Though many people are skeptical about the alleged new art forms that have proliferated since the early twentieth century, today's critics claim that all such work, however incomprehensible, is art. A groundbreaking alternative to this view is provided by philosopher-novelist Ayn Rand (1901–1982). Best known as the author of The Fountainhead...
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Can capital be, seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, filmmakers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.
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Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content.
Both musicians and laypersons can perceive purely instrumental music without words or an associated story or program as expressing emotions such as happiness and sadness. But how? In this book, Saam Trivedi discusses and critiques the leading philosophical approaches to this question, including formalism,...
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Is there too much violence in hip-hop music? What's the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a "black" thing? Is it okay for N. W. A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit - and often explicit - in hip-hop to the weighty matters examined by the great philosophers...
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Dans cette troisième livraison des « Économies », Alain Deneault suit le mouvement spéculaire entre des œuvres esthétiques qui traitent d'économie marchande et d'argent, et des critiques d'arts qui recourent au vocabulaire économique pour commenter les œuvres. Le mot « économie » ressort de cette analyse fine comme une puissante métaphore, mais surtout comme le nom même d'un régime de production des métaphores.
C'est à l'économie...
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En la ingeniosa unión del pasado con el presente reside el secreto de la arrasadora y milagrosa fuerza vital del arte barroco del ingenio, que posee poderes casi divinos: las cosas mudas hablan; viven las insensatas, resurgen las muertas: las tumbas, los mármoles, las estatuas; de esta encantadora de las almas reciben voz, espíritu y movimiento. Razonan ingeniosamente con los hombres de ingenio. En fin, no puede decirse muerto a algo que el ingenio...
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In this 1922 scholarly landmark, influential British critic I. A. Richards and his colleagues Charles Ogden and James Wood lay out a new theory of harmony and balance in a work of literature-the two mingle with an audience's psychological impulses in order to determine how the work is perceived. This study is a key text of the New Criticism, which forever changed how scholars read and analyze literature.
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Este escrito muestra, de la mano de Wittgenstein, la importancia del concepto de expresión, dándole consistencia desde diferentes momentos de la filosofía.
El uso de un concepto artístico en campos filosóficos es más un experimento que un riguroso estudio de cómo es que el autor dice algo sin temor equivocarse, pretensión que desde el mismo contexto wittgensteiniano pierde toda validez, pues no se puede conocer algo ni interpretarlo, sino...
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Si es que existen las historias y los relatos es porque, gracias a sus facultades imaginativas, los seres humanos han sabido crear dimensiones alternativas dentro de la amplia superficie de realidad que habitan. La fascinación por las narraciones, en todo tipo de lenguaje, resulta un foco de permanente atracción para la mente, la que a su vez no puede dejar de preguntarse por esta asombrosa capacidad. Es justamente aquella visión curiosa, novedosa...
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En los albores del tercer milenio se ha obviado el alma. Los poetas y los artistas, en una curiosa sustitución, ya sólo se interesan por su doble, el cuerpo, soma, que antaño significaba el cuerpo "inanimado", sin vida, el cadáver. Los filósofos parecen pensar que se trata de un tema que ya es historia, apenas útil para las antologías. En cuanto a los psicoanalistas, ya no se atreven ni siquiera a nombrarla.
Historia natural del alma es un...
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La imagen es un campo problemático en el que conviven percepciones, emociones e ideas. La imagen es a la vez soporte técnico-material y forma expresiva simbólica, y a través de ella podemos trazar universos de sentido que comunican y transfieren diversas temporalidades del devenir humano. Por ello, la imagen exige aproximaciones interdisciplinarias, desde las cuales establecer diálogos y alianzas conceptuales. No es lo mismo la imagen pictórica...
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Some critics and philosophers have looked at Schiller's works such as the ones present in "Aesthetical and Philosophical Essays" and believed that Schiller's ideas have the potential for being very useful to society. Because Schiller believed that the aesthetic function of beauty could release mankind from struggle, some have argued that his views could ultimately change the world if adopted by all people. While Schiller is not seen as one of the...
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El presente libro tiene por objeto dar a conocer al lector en castellano una pequeña parte de la obra de Jacques Bouveresse y, al mismo tiempo, un aspecto poco conocido del pensamiento de Ludwig Wittgenstein. El texto que da origen a éste corresponde a los dos últimos capítulos de Wittgenstein: la rime et la raison (Paris, Les Éditions du Minuit, 1973) de J. Bouveresse. Los editores son los responsables de la traducción y de la edición crítica...
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