Babaylan Sing Back: Philippine Shamans and Voice, Gender, and Place
(eBook)

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Published
Cornell University Press, 2021.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781501760105

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Citations

APA Citation, 7th Edition (style guide)

Grace Nono., & Grace Nono|AUTHOR. (2021). Babaylan Sing Back: Philippine Shamans and Voice, Gender, and Place . Cornell University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Grace Nono and Grace Nono|AUTHOR. 2021. Babaylan Sing Back: Philippine Shamans and Voice, Gender, and Place. Cornell University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Grace Nono and Grace Nono|AUTHOR. Babaylan Sing Back: Philippine Shamans and Voice, Gender, and Place Cornell University Press, 2021.

MLA Citation, 9th Edition (style guide)

Grace Nono, and Grace Nono|AUTHOR. Babaylan Sing Back: Philippine Shamans and Voice, Gender, and Place Cornell University Press, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID20478cca-6c53-ce7b-7b44-290d2edba46c-eng
Full titlebabaylan sing back philippine shamans and voice gender and place
Authornono grace
Grouping Categorybook
Last Update2024-05-14 23:01:28PM
Last Indexed2024-05-24 23:40:48PM

Book Cover Information

Image Sourcehoopla
First LoadedMar 8, 2022
Last UsedMar 8, 2022

Hoopla Extract Information

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    [synopsis] => Babaylan Sing Back depicts the embodied voices of Native Philippine ritual specialists popularly known as babaylan. These ritual specialists are widely believed to have perished during colonial times, or to survive on the margins in the present-day. They are either persecuted as witches and purveyors of superstition, or valorized as symbols of gender equality and anticolonial resistance.
Drawing on fieldwork in the Philippines and in the Philippine diaspora, Grace Nono's deep engagement with the song and speech of a number of living ritual specialists demonstrates Native historical agency in the 500th year anniversary of the contact between the people of the Philippine Islands and the European colonizers.
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