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Language
English
Description
A 1959 New Yorker profile captured the inspired risk-taking and raw creative spark of a Budapest String Quartet rehearsal: Sasha leaped from his chair and with violin held aloft, played the passage with exaggerated schmalz, like a street fiddler in Naples. Kroyt... stopped playing and started singing a Russian song.... Mischa Schneider thereupon performed a number of stupendous triads on his cello.... Only Roisman went quietly on with his part, untouched...
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