Frank Carlson Library

Jean-Baptiste Poquelin, known popularly by his stage name Molière, is regarded as one of the masters of French comedic drama. When Molière began acting in Paris, there were two well-established theatrical companies, those of the Htel de Bourgogne and the Marais. Joining these theatrical companies would have been impossible for a new member of the acting profession like Molière and thus he performed with traveling troupes of actors in the French...

An older man tries to turn a young girl into the perfect wife by sending her to a convent until she is seventeen years old. To his frustration, the girl falls in love with another man after she returns. From the French master of comedy, The School for Wives is considered Moliere's masterpiece

In 17th Century Sicily, a clever valet named Mascarille tries to help his boss Lélie win the girl of his dreams -- only to find that Lélie is a monumental dunce who ruins every one of his intricate schemes. Undaunted, Mascarille invents progressively wilder plots, only to see his best-laid plans go very awry in Molière's The Bungler. Translated by Richard Wilbur. An L.A. Theatre Works full-cast performance featuring Richard Easton as Mascarille;...

This work includes seven of the plays that accredited Molière as the greatest and best-loved French playwright of all times: "The Pretentious Young Ladies," "The School for Husbands," "The School for Wives," a comedy of infidelity and his first great success, "The Critique of the School for Wives," "The Impromptu of Versailles," "Tartuffe," a highly controversial play in its time, and "Don Juan." Although Tartuffe was immediately censured and banned...

Scapin constantly lies and tricks people to get ahead. He is an arrogant, pompous man who acts as if nothing were impossible for him. However, he is also a diplomatic genius. He manages to play the other characters off of each other very easily, and yet manages to keep his overall goal - to help the young couples - in sight.

The miser of the title is called Harpagon, a name adapted from the Latin harpago, meaning a hook or grappling iron. He is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cléante, and a daughter, Élise. Although he is over sixty, he is attempting to arrange a marriage between himself and an attractive young woman, Mariane.

Orgon's family is up in arms because Orgon and his mother have fallen under the influence of Tartuffe, a pious fraud (and a vagrant prior to Orgon's help). Tartuffe pretends to be pious and to speak with divine authority, and Orgon and his mother no longer take any action without first consulting him.

After his wedding night with beautiful Alcmene, Amphitryon leaves to participate in a war. Jupiter, who is fascinated by Alcmene's beauty, come to earth under the appearance of Amphitryon, accompanied by Mercury who has taken the appearance of Amphitryon's servant Sosie. Amphitryon is successful in war and sends Sosie back home to report this. Sosie is greeted by his look-alike Mercury, who beats him and convinces him that he Mercury is the real Sosie....

The King, who will have nothing but what is magnificent in all he undertakes, wished to give his court an entertainment which should comprise all that the stage can furnish. To facilitate the execution of so vast an idea, and to link together so many different things, his Majesty chose for the subject two rival princes, who, in the lovely vale of Tempe, where the Pythian Games were to be celebrated, vie with each other in fêting a young princess...

Psyche's jealous sisters attempt to attract the attention of her two most recent suitors, without success. Psyche refuses both suitors before being called away by a messenger. The messenger then informs Psyche's sisters that she must be sacrificed on the mountain top and devoured by a monster. The sisters confess their delight before a group of mourners arrive on stage and sing the first intermède, the plainte italienne.