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Much Ado About Nothing is a delightful play which pits two intelligent, thinking people against each other, both of whom protest against love (and each other), but who finally come to embrace the other both literally and emotionally. The contretemps between Beatrice and Benedick is emotionally and intellectually satisfying, partially because the audience is included on the joke but also because it is rewarding to see two strong, independent personalities...
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It is probably natural that a reader feel sympathy for Desdemona; falsely accused, she suffers some of the most offensive name-calling in all of Shakespeare. But it is also appropriate to sympathize with Othello. He becomes malleable in the hands of Iago who molds him to his own vindictive purpose, never disclosing his reasons. Additionally, one should admire Emilia who is truly heroic in her denial of the accusations against Desdemona, her resistance...
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Of the five major Shakespearean tragediesHamlet, Macbeth, Romeo and Juliet, King Lear, and OthelloKing Lear is perhaps the most challenging. Issues of rulership, family and blood, are overlaid with bastardy, loyalty, lust, and deceit. Add to this the apparently gratuitous on-stage blinding of Gloucester, the deaths of Cordelia, Lear, Gloucester, and Kent, and one might be inclined to agree with Samuel Johnson that The good suffer more than the evil,...
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