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Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
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Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre. In "Suppliant Maidens," the fifty daughters of Danaus flee from marriages to the fifty sons of their uncle, showing an obedience to their father that has tragic consequences. "The Persians", thought to be the oldest surviving play in the history of drama,...
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The importance of Æschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness...
4) The Furies
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Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often, described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely, based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
Author
Language
English
Description
Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
Author
Language
English
Description
Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often, described as, the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely, based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
Author
Language
English
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Classic trilogy by great tragedian deals with the bloody history of the House of Atreus. Grand in style, rich in diction and dramatic dialogue, the plays embody Aeschylus' concerns with the destiny and fate of both individuals and the state, all played out under the watchful eye of the gods.
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Aeschylus I contains "The Persians," translated by Seth Benardete; "The Seven Against Thebes," translated by David Grene; "The Suppliant Maidens," translated by Seth Benardete; and "Prometheus Bound," translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert...
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English
Description
Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often, described as, the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely, based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
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Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm....
Author
Language
English
Description
Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...
12) Oresteia
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The Oresteia, a trilogy of Greek tragedies written by Aeschylus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. Principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation.
13) Agamemnon
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From the perspective of the townspeople and the queen, Clytemnestra, Agamemnon follows the emotional journey of grief, rage, and revenge. Agamemnon had dedicated much of his life to a war that his brother started. He vowed to do whatever it takes to win-committing war crimes and killing innocents. But, even in victory, Agamemnon feels unsatisfied and plagued by the bloodshed he caused. Because of this, he decides to perform a ritual to clear his conscience...
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This updated translation of the Oresteia trilogy and fragments of the satyr play Proteus includes an extensive historical and critical introduction.
In the third edition of “The Complete Greek Tragedies”, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining their vibrancy for which the Grene and Lattimore versions are famous. New introductions for each play offer...
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“Greek Tragedies, Volume III” contains Aeschylus's "The Eumenides," translated by Richmond Lattimore; Sophocles's "Philoctetes," translated by David Grene; Sophocles's "Oedipus at Colonus," translated by Robert Fitzgerald; Euripides's "The Bacchae," translated by William Arrowsmith; and Euripides's "Alecestis," translated by Richmond Lattimore.
16) The Suppliants
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The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their...
17) The Eumenides
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Orestes, Apollo, and the Erinyes go before Athena and eleven other judges chosen by her from the Athenian citizenry at the Areopagus (Rock of Ares, a flat rocky hill by the Athenian agora where the homicide court of Athens later held its sessions), to decide whether Orestes's killing of his mother, Clytemnestra, makes him guilty of the crime of murder.
18) The Choephori
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Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm....
19) Prometheus Bound
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Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes....
20) The Persians
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Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times.
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