Frank Carlson Library

Eleven of his 40 plays survive virtually complete. These plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author.

Eleven of his 40 plays survive virtually complete. These plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author.

Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.

Greek playwright, Aristophanes, lived during the 5th and 4th century BC and is considered one of the principal authors of the Greek classical period. Of the nearly thirty plays he wrote during his career, eleven are extant. Amongst the most famous of these is "Lysistrata," a comedy which focuses on the women of Greece whose husbands have left for the Peloponnesian War. The women do not care about the conflict as much as they care about missing their...

The Birds is a comedy by the Ancient Greek playwright Aristophanes. It was performed in 414 BC at the City Dionysia where it won second place. It has been acclaimed by modern critics as a perfectly realized fantasy remarkable for its mimicry of birds and for the gaiety of its songs. Unlike the author's other early plays, it includes no direct mention of the Peloponnesian War and there are few references to Athenian politics, and yet it was staged...

The play begins with a strange scene-a large net has been spread over a house, the entry is barricaded and two slaves are sleeping in the street outside. A third man is positioned at the top of an exterior wall with a view into the inner courtyard but he too is asleep. The two slaves wake and we learn from their banter that they are keeping guard over a 'monster'. The man asleep above them is their master and the monster is his father-he has an unusual...

Greek playwright Aristophanes spins wonderful stories combining politics, satire, and classic Greek gods in this collection of "Lysistrata and Other Plays." "Lysistrata" focuses on the women of Greece whose husbands leave for the Peloponnesian War. The women do not care about the war as much as they care about missing their husbands; Lysistrata also insists that men rarely listen to women's reasoning and exclude their opinions on matters of the state....

Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.

Eleven of his 40 plays survive virtually complete. These plays, provide the only real examples of a genre of comic drama known as Old Comedy, and they are in fact used to define the genre. Also known as the Father of Comedy and the Prince of Ancient Comedy, Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author.

The second in a series of three comedies, 'Peace', along with 'The Acharnians' and 'Lysistrata', called for an end to the Peloponnesian war. The 'Peace' was brought out four years after 'The Acharnians' (422 B.C.), when the war had already lasted ten years. The leading motive is the same as in the former play-the intense desire of the less excitable and more moderate-minded citizens for relief from the miseries of war.