Without a Claim: Poems
(eBook)

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Published
HarperCollins, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780544073708

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Citations

APA Citation, 7th Edition (style guide)

Grace Schulman., & Grace Schulman|AUTHOR. (2013). Without a Claim: Poems . HarperCollins.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Grace Schulman and Grace Schulman|AUTHOR. 2013. Without a Claim: Poems. HarperCollins.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Grace Schulman and Grace Schulman|AUTHOR. Without a Claim: Poems HarperCollins, 2013.

MLA Citation, 9th Edition (style guide)

Grace Schulman, and Grace Schulman|AUTHOR. Without a Claim: Poems HarperCollins, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDce6dc840-ccae-2fe5-710b-4ea1c80dc5ac-eng
Full titlewithout a claim
Authorschulman grace
Grouping Categorybook
Last Update2024-05-14 23:01:28PM
Last Indexed2024-06-08 02:37:13AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 31, 2023
Last UsedJan 31, 2023

Hoopla Extract Information

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    [synopsis] => "Without a Claim is a modern Book of Psalms. Indeed, the glory in these radiant sacred songs meld an art of high music with a nuanced love of the world unlike any we've heard before. No matter your mood upon entering this world you'll soon be grateful, and enchanted. In any such house of praise, God herself must be grateful." - Philip Schultz, Pulitzer Prize–winning author of Failure and The God of Loneliness

Grace Schulman, who has been called "a vital and permanent poet" (Harold Bloom), makes new the life she finds in other cultures and in the distant past. In Without a Claim, she masterfully encompasses music, faith, art, and history. The title poem alludes to the Montauk sachem who sold land without any concept of rights to property, and meditates on our own notion of ownership: "No more than geese in flight, shadowing the lawn, / cries piercing wind, do we possess these fields, / given the title, never the dominion." She traces the illusion of rights, from land to objects, from our loves to our very selves. Alternatively, she finds permanence in art, whether in galleries or on cave walls, and in music, whether in the concert hall, on the streets of New York, or in the waves at sea.
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