How Russian Literature Became Great
(eBook)

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Published
Cornell University Press, 2024.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781501773426

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Citations

APA Citation, 7th Edition (style guide)

Rolf Hellebust., & Rolf Hellebust|AUTHOR. (2024). How Russian Literature Became Great . Cornell University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rolf Hellebust and Rolf Hellebust|AUTHOR. 2024. How Russian Literature Became Great. Cornell University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rolf Hellebust and Rolf Hellebust|AUTHOR. How Russian Literature Became Great Cornell University Press, 2024.

MLA Citation, 9th Edition (style guide)

Rolf Hellebust, and Rolf Hellebust|AUTHOR. How Russian Literature Became Great Cornell University Press, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID51bf345c-f9b2-d018-f930-a0ddbf7dd3fe-eng
Full titlehow russian literature became great
Authorhellebust rolf
Grouping Categorybook
Last Update2024-05-14 23:01:28PM
Last Indexed2024-06-15 00:48:14AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 6, 2024
Last UsedMay 30, 2024

Hoopla Extract Information

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    [synopsis] => How Russian Literature Became Great explores the cultural and political role of a modern national literature, orchestrated in a Slavonic key but resonating far beyond Russia's borders. 
	Rolf Hellebust investigates a range of literary tendencies, philosophies, and theories from antiquity to the present: Roman jurisprudence to German Romanticism, French Enlightenment to Czech Structuralism, Herder to Hobsbawm, Samuel Johnson to Sainte-Beuve, and so on. Besides the usual Russian suspects from Pushkin to Chekhov, Hellebust includes European writers: Byron and Shelley, Goethe and Schiller, Chateaubriand and Baudelaire, Dante, Mickiewicz, and more. 
	As elsewhere, writing in Russia advertises itself via a canon of literary monuments constituting an atemporal "ideal order among themselves" (T.S. Eliot). And yet this is a tradition that could only have been born at a specific moment in the golden nineteenth-century age of historiography and nation-building. The Russian example reveals the contradictions between immutability and innovation, universality and specificity at the heart of modern conceptions of tradition from Sainte-Beuve through Eliot and down to the present day. 
	The conditions of its era of formation-the prominence of the crucial literary-historical question of the writer's social function, and the equation of literature with national identity-make the Russian classical tradition the epitome of a unified cultural text, with a complex narrative in which competing stories of progress and decline unfold through the symbolic biographical encounters of the authors who constitute its members. How Russian Literature Became Great thus offers a new paradigm for understanding the paradoxes of modern tradition.
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