Grace Jones: Bloodlight and Bami
(eVideo)

Book Cover
Average Rating
Published
Kino Lorber, 2018.
Status
Available Online

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Physical Description
1h 55m 0s
Format
eVideo
Language
English

Citations

APA Citation, 7th Edition (style guide)

Grace Jones., Grace Jones|ACTOR., & Sophie Fiennes|DIRECTOR. (2018). Grace Jones: Bloodlight and Bami . Kino Lorber.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Grace Jones, Grace Jones|ACTOR and Sophie Fiennes|DIRECTOR. 2018. Grace Jones: Bloodlight and Bami. Kino Lorber.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Grace Jones, Grace Jones|ACTOR and Sophie Fiennes|DIRECTOR. Grace Jones: Bloodlight and Bami Kino Lorber, 2018.

MLA Citation, 9th Edition (style guide)

Grace Jones, Grace Jones|ACTOR, and Sophie Fiennes|DIRECTOR. Grace Jones: Bloodlight and Bami Kino Lorber, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID6fc5ae91-42f0-77b2-ad4b-cc5280732825-eng
Full titlegrace jones bloodlight and bami
Authorjones grace
Grouping Categorymovie
Last Update2023-09-12 20:42:40PM
Last Indexed2024-05-04 00:54:37AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 25, 2023
Last UsedJul 25, 2023

Hoopla Extract Information

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    [synopsis] => This electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones contrasts musical sequences with intimate personal footage, all the while brimming with Jones's bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence - Grace Jones is all these things and more. Sophie Fiennes's documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of "Slave to the Rhythm," "Pull Up to the Bumper," "Love is the Drug," and more. Jones herself has said watching the film "will be like seeing me almost naked" and, indeed, Fiennes's treatment is every bit as definition-defying as its subject, untamed by either age or life itself.
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