The Blues: The Authentic Narrative of My Music and Culture
(eBook)

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Published
Chicago Review Press, 2021.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781641604475

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Citations

APA Citation, 7th Edition (style guide)

Chris Thomas King., & Chris Thomas King|AUTHOR. (2021). The Blues: The Authentic Narrative of My Music and Culture . Chicago Review Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Chris Thomas King and Chris Thomas King|AUTHOR. 2021. The Blues: The Authentic Narrative of My Music and Culture. Chicago Review Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Chris Thomas King and Chris Thomas King|AUTHOR. The Blues: The Authentic Narrative of My Music and Culture Chicago Review Press, 2021.

MLA Citation, 9th Edition (style guide)

Chris Thomas King, and Chris Thomas King|AUTHOR. The Blues: The Authentic Narrative of My Music and Culture Chicago Review Press, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe6830605-96ed-9890-671e-376dfad02ac0-eng
Full titleblues the authentic narrative of my music and culture
Authorking chris thomas
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-13 02:42:08AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 18, 2023
Last UsedAug 18, 2023

Hoopla Extract Information

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    [synopsis] => An untold authentic counter-narrative blues history and the first written by an African American blues artist.

All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King present facts to disprove such myths.
This book is the first to argue the blues began as a cosmopolitan art form, not a rural one.
As early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman's paradise-the frontier was still in the process of being cleared and drained, for cultivation?
Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch?
New Orleans, King states, was the only place in the Deep South, where the sacred and profane could party together without fear of persecution, creating the blues.
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