Ghosts
(eBook)

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Average Rating
Published
Mint Editions, 2021.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781513284453

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Citations

APA Citation, 7th Edition (style guide)

Henrik Ibsen., & Henrik Ibsen|AUTHOR. (2021). Ghosts . Mint Editions.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Henrik Ibsen and Henrik Ibsen|AUTHOR. 2021. Ghosts. Mint Editions.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Henrik Ibsen and Henrik Ibsen|AUTHOR. Ghosts Mint Editions, 2021.

MLA Citation, 9th Edition (style guide)

Henrik Ibsen, and Henrik Ibsen|AUTHOR. Ghosts Mint Editions, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3cab2878-58ec-2c57-f72d-32565d16fb85-eng
Full titleghosts
Authoribsen henrik
Grouping Categorybook
Last Update2023-05-09 20:03:57PM
Last Indexed2024-04-20 00:33:30AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 6, 2022
Last UsedApr 4, 2024

Hoopla Extract Information

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    [synopsis] => Helen Alving is a widow who's committed to protecting her son from his father's unsavory past which was marked by a string of extramarital affairs. She doesn't want her son to be affected by his scandalous choices.

After her husband's death, Helen Alving decides to dedicate an orphanage in his memory. She uses the project to drain his estate, so their son Oswald won't retain any of his fortune. Instead, she plans to bequeath only her money, free from her husband's influence. Yet Oswald's health is failing, having inherited a disease from his father. As the pain progresses, Oswald decides to take matters into his own hands. He asks his mother to inject him with a fatal dose of medication to end his suffering, once and for all.

In Ghosts, Ibsen covers multiple controversial topics. At the time of its production in 1882, it was immediately criticized, for its subject matter. The play destroys the façade of the traditional family, speaking freely about infidelity, incest and venereal disease.
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