The Conjure Woman
(eBook)

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Published
Mint Editions, 2020.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781513274171

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Citations

APA Citation, 7th Edition (style guide)

Charles W. Chesnutt., & Charles W. Chesnutt|AUTHOR. (2020). The Conjure Woman . Mint Editions.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Charles W. Chesnutt and Charles W. Chesnutt|AUTHOR. 2020. The Conjure Woman. Mint Editions.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Charles W. Chesnutt and Charles W. Chesnutt|AUTHOR. The Conjure Woman Mint Editions, 2020.

MLA Citation, 9th Edition (style guide)

Charles W. Chesnutt, and Charles W. Chesnutt|AUTHOR. The Conjure Woman Mint Editions, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDb951b87f-18de-4119-c8cc-40e4842a24ae-eng
Full titleconjure woman
Authorchesnutt charles w
Grouping Categorybook
Last Update2023-12-20 16:05:39PM
Last Indexed2024-03-29 03:18:21AM

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Image Sourceoverdrive
First LoadedOct 9, 2022
Last UsedFeb 3, 2024

Hoopla Extract Information

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    [synopsis] => The Conjure Woman (1899) is a collection of stories by African American author, lawyer, and political activist Charles Chesnutt. "The Goophered Grapevine," the collection's opening story, was originally published in The Atlantic in 1887, making Chesnutt the first African American to have a story published in the magazine. The Conjure Woman is now considered a masterpiece of African American fiction for its use of folklore and exploration of racist stereotypes of Black Americans, especially those living in the South.

In "The Goophered Grapevine," an old ex-slave named Julius McAdoo-a coachman hired by a white Northerner named John-warns his employer about the land he has decided to purchase. He tells him the story of the vineyard's previous owner, who hired a woman named Aunt Peggy to put a curse on his famous scuppernong grapes in order to stop his slaves from eating them. Each story in The Conjure Woman follows a similar formula, beginning with a narrative situation involving John and his wife, Annie, before leading to a story from Uncle Julius. "Po' Sandy," one of Chesnutt's most acclaimed tales-and a loose adaptation of Ovid's Metamorphoses-opens with John deciding to build a new kitchen for his wife. Uncle Julius drives him to the sawmill, where, while watching the saw cut through a log, he is reminded of the story of Sandy, a local man who was turned into a tree by a conjurer in order to escape slavery. The Conjure Woman is a powerful collection of folk takes and stories exploring themes of race, identity, and class in the nineteenth-century South.
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