The Memory Monster
(eAudiobook)

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Average Rating
Published
Tantor Media, Inc., 2021.
Status
Available Online

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Physical Description
4h 25m 0s
Format
eAudiobook
Language
English
ISBN
9781666115338

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Citations

APA Citation, 7th Edition (style guide)

Yishai Sarid., Yishai Sarid|AUTHOR., & Keith Sellon-Wright|READER. (2021). The Memory Monster . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Yishai Sarid, Yishai Sarid|AUTHOR and Keith Sellon-Wright|READER. 2021. The Memory Monster. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Yishai Sarid, Yishai Sarid|AUTHOR and Keith Sellon-Wright|READER. The Memory Monster Tantor Media, Inc, 2021.

MLA Citation, 9th Edition (style guide)

Yishai Sarid, Yishai Sarid|AUTHOR, and Keith Sellon-Wright|READER. The Memory Monster Tantor Media, Inc., 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDa90c3f87-d1f1-3551-8660-0b3deab346a1-eng
Full titlememory monster
Authorsarid yishai
Grouping Categorybook
Last Update2023-11-23 19:09:04PM
Last Indexed2024-04-20 02:23:54AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 2, 2023
Last UsedApr 24, 2023

Hoopla Extract Information

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    [synopsis] => Written as a report to the chairman of Yad Vashem, Israel's memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims' lives.

The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers-their efficiency, audacity, and determination.

With the perspicuity of Kafka's The Trial and the obsessions of Delillo's White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?
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