Merleau-Ponty at the Gallery: Questioning Art beyond His Reach
(eBook)

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State University of New York Press, 2020.
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Available Online

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eBook
Language
English
ISBN
9781438478043

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APA Citation, 7th Edition (style guide)

Veronique M. Foti., & Veronique M. Foti|AUTHOR. (2020). Merleau-Ponty at the Gallery: Questioning Art beyond His Reach . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Veronique M. Foti and Veronique M. Foti|AUTHOR. 2020. Merleau-Ponty At the Gallery: Questioning Art Beyond His Reach. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Veronique M. Foti and Veronique M. Foti|AUTHOR. Merleau-Ponty At the Gallery: Questioning Art Beyond His Reach State University of New York Press, 2020.

MLA Citation, 9th Edition (style guide)

Veronique M. Foti, and Veronique M. Foti|AUTHOR. Merleau-Ponty At the Gallery: Questioning Art Beyond His Reach State University of New York Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID55bb97e1-e4f4-9268-98b7-cf90cc42eb7f-eng
Full titlemerleau ponty at the gallery questioning art beyond his reach
Authorfoti veronique m
Grouping Categorybook
Last Update2024-01-24 19:58:32PM
Last Indexed2024-05-04 00:33:19AM

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    [synopsis] => A study of the significance of the visual arts in Merleau-Ponty's aesthetics in relation to the work of five artists not known or discussed by him.

Merleau-Ponty's phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly Cézanne, Klee, Matisse, and Rodin. Merleau-Ponty at the Gallery expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work came to prominence in the second half of the twentieth century and thus primarily after the philosopher's death. Véronique M. Fóti does not confine her analyses to Merleau-Ponty's texts (which now importantly include his late lecture courses), but also engages directly with the art. Of particular concern to her is the art's ethical bearing, especially as related to animal and vegetal life. The book's concluding chapter addresses the still-widespread rejection of beauty as an aesthetic value.

Véronique M. Fóti is Professor Emerita of Philosophy at Pennsylvania State University. She is the author of several books, including Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology and Epochal Discordance: Hölderlin's Philosophy of Tragedy, also published by SUNY Press.
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