Women, visibility and morality in Kenyan popular media
(eBook)

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Published
NISC (Pty) Ltd, 2020.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781920033651

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Citations

APA Citation, 7th Edition (style guide)

Dina Ligaga., & Dina Ligaga|AUTHOR. (2020). Women, visibility and morality in Kenyan popular media . NISC (Pty) Ltd.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dina Ligaga and Dina Ligaga|AUTHOR. 2020. Women, Visibility and Morality in Kenyan Popular Media. NISC (Pty) Ltd.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dina Ligaga and Dina Ligaga|AUTHOR. Women, Visibility and Morality in Kenyan Popular Media NISC (Pty) Ltd, 2020.

MLA Citation, 9th Edition (style guide)

Dina Ligaga, and Dina Ligaga|AUTHOR. Women, Visibility and Morality in Kenyan Popular Media NISC (Pty) Ltd, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2e84ff0c-8b26-7a8f-0fbc-1e1666316774-eng
Full titlewomen visibility and morality in kenyan popular media
Authorligaga dina
Grouping Categorybook
Last Update2023-04-03 20:03:36PM
Last Indexed2024-04-17 23:59:42PM

Book Cover Information

Image Sourcehoopla
First LoadedApr 11, 2024
Last UsedApr 11, 2024

Hoopla Extract Information

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    [synopsis] => Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on 'pre-convened' scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of women's bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledge’s of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorization of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.
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