The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
(eBook)

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Published
AU Press, 2018.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781771992268

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APA Citation, 7th Edition (style guide)

Mark A. McCutcheon., & Mark A. McCutcheon|AUTHOR. (2018). The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology . AU Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mark A. McCutcheon and Mark A. McCutcheon|AUTHOR. 2018. The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology. AU Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mark A. McCutcheon and Mark A. McCutcheon|AUTHOR. The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology AU Press, 2018.

MLA Citation, 9th Edition (style guide)

Mark A. McCutcheon, and Mark A. McCutcheon|AUTHOR. The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology AU Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID391397a9-1b62-7047-02f1-64b77b2f9762-eng
Full titlemedium is the monster canadian adaptations of frankenstein and the discourse of technology
Authormccutcheon mark a
Grouping Categorybook
Last Update2024-05-14 23:01:28PM
Last Indexed2024-06-08 00:12:37AM

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Image Sourcehoopla
First LoadedJul 4, 2023
Last UsedJul 4, 2023

Hoopla Extract Information

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    [synopsis] => Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan's media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology-that human-made monstrosity-today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
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