Con Brio: Four Russians Called the Budapest String Quartet
(eBook)
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Format
eBook
Language
English
ISBN
9781462093977
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Citations
APA Citation, 7th Edition (style guide)
Nat Brandt., & Nat Brandt|AUTHOR. (2000). Con Brio: Four Russians Called the Budapest String Quartet . iUniverse.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Nat Brandt and Nat Brandt|AUTHOR. 2000. Con Brio: Four Russians Called the Budapest String Quartet. iUniverse.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Nat Brandt and Nat Brandt|AUTHOR. Con Brio: Four Russians Called the Budapest String Quartet iUniverse, 2000.
MLA Citation, 9th Edition (style guide)Nat Brandt, and Nat Brandt|AUTHOR. Con Brio: Four Russians Called the Budapest String Quartet iUniverse, 2000.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
Grouped Work ID | 4aa85f4a-a60a-2217-fe7d-8a293709e2b2-eng |
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Full title | con brio four russians called the budapest string quartet |
Author | brandt nat |
Grouping Category | book |
Last Update | 2022-10-18 21:40:45PM |
Last Indexed | 2024-03-27 00:56:41AM |
Book Cover Information
Image Source | hoopla |
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First Loaded | Feb 9, 2023 |
Last Used | Dec 16, 2023 |
Hoopla Extract Information
stdClass Object ( [year] => 2000 [artist] => Nat Brandt [fiction] => [coverImageUrl] => https://cover.hoopladigital.com/csp_9781462093977_270.jpeg [titleId] => 12071906 [isbn] => 9781462093977 [abridged] => [language] => ENGLISH [profanity] => [title] => Con Brio [demo] => [segments] => Array ( ) [pages] => 373 [children] => [artists] => Array ( [0] => stdClass Object ( [name] => Nat Brandt [relationship] => AUTHOR ) ) [genres] => Array ( [0] => Music [1] => Musical Instruments [2] => Strings ) [price] => 0.49 [id] => 12071906 [edited] => [kind] => EBOOK [active] => 1 [upc] => [synopsis] => A 1959 New Yorker profile captured the inspired risk-taking and raw creative spark of a Budapest String Quartet rehearsal: Sasha leaped from his chair and with violin held aloft, played the passage with exaggerated schmalz, like a street fiddler in Naples. Kroyt... stopped playing and started singing a Russian song.... Mischa Schneider thereupon performed a number of stupendous triads on his cello.... Only Roisman went quietly on with his part, untouched by the pandemonium around him, playing Beethoven with his noble tone and elegant bowing. Here were four men with personalities as varied as their ways of playing. Yet when they played, they produced a perfect union of instrumental voices and interpretive nuances that not only created an entirely new audience for chamber music in America but also made the Budapest String Quartet the premier chamber music group of the twentieth century. [url] => https://www.hoopladigital.com/title/12071906 [pa] => [subtitle] => Four Russians Called the Budapest String Quartet [publisher] => iUniverse [purchaseModel] => INSTANT )