The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Nap
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Larry Wolff., & Larry Wolff|AUTHOR. (2016). The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Nap . Stanford University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Larry Wolff and Larry Wolff|AUTHOR. 2016. The Singing Turk: Ottoman Power and Operatic Emotions On the European Stage From the Siege of Vienna to the Age of Nap. Stanford University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Larry Wolff and Larry Wolff|AUTHOR. The Singing Turk: Ottoman Power and Operatic Emotions On the European Stage From the Siege of Vienna to the Age of Nap Stanford University Press, 2016.
MLA Citation, 9th Edition (style guide)Larry Wolff, and Larry Wolff|AUTHOR. The Singing Turk: Ottoman Power and Operatic Emotions On the European Stage From the Siege of Vienna to the Age of Nap Stanford University Press, 2016.
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Grouped Work ID | 5989f0cd-076d-208e-68b7-3e76f63b2ae0-eng |
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Full title | singing turk ottoman power and operatic emotions on the european stage from the siege of vienna to the age of nap |
Author | wolff larry |
Grouping Category | book |
Last Update | 2023-09-02 20:01:13PM |
Last Indexed | 2024-03-29 01:14:07AM |
Book Cover Information
Image Source | hoopla |
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First Loaded | Jul 14, 2023 |
Last Used | Jul 14, 2023 |
Hoopla Extract Information
stdClass Object ( [year] => 2016 [artist] => Larry Wolff [fiction] => [coverImageUrl] => https://cover.hoopladigital.com/csp_9780804799652_270.jpeg [titleId] => 11966127 [isbn] => 9780804799652 [abridged] => [language] => ENGLISH [profanity] => [title] => The Singing Turk [demo] => [segments] => Array ( ) [pages] => 504 [children] => [artists] => Array ( [0] => stdClass Object ( [name] => Larry Wolff [artistFormal] => Wolff, Larry [relationship] => AUTHOR ) ) [genres] => Array ( [0] => 18th Century [1] => History [2] => Modern ) [price] => 3.29 [id] => 11966127 [edited] => [kind] => EBOOK [active] => 1 [upc] => [synopsis] => While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European-Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own. [url] => https://www.hoopladigital.com/title/11966127 [pa] => [subtitle] => Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Nap [publisher] => Stanford University Press [purchaseModel] => INSTANT )