Ilya Repin
(eBook)

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Published
Parkstone International, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781783101856

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Citations

APA Citation, 7th Edition (style guide)

Grigori Sternin., Grigori Sternin|AUTHOR., & Jelena Kirillina|AUTHOR. (2012). Ilya Repin . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Grigori Sternin, Grigori Sternin|AUTHOR and Jelena Kirillina|AUTHOR. 2012. Ilya Repin. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Grigori Sternin, Grigori Sternin|AUTHOR and Jelena Kirillina|AUTHOR. Ilya Repin Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Grigori Sternin, Grigori Sternin|AUTHOR, and Jelena Kirillina|AUTHOR. Ilya Repin Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf72bac96-16c8-5165-d5dc-5af156497161-eng
Full titleilya repin
Authorsternin grigori
Grouping Categorybook
Last Update2022-12-03 19:01:46PM
Last Indexed2024-04-18 03:13:45AM

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    [synopsis] => Ilya Repin was the most gifted of the group known in Russia as "The Itinerants". When only twelve years old, he joined Ivan Bounakov's studio to learn the icon-painter's craft. Religious representations always remained of great importance for him. From 1864 to 1873 Repin studied at the Academy of the Arts in Saint Petersburg under Kramskoï. Repin also studied in Paris for two years, where he was strongly influenced by outdoor painting without, becoming an Impressionist, a style that he judged too distant from reality. Taken with French pictorial culture, he worked to understand its role in the evolution of contemporary art. Most of Repin's powerful work deals with the social dilemmas of Russian life in the nineteenth century. He established his reputation in 1873 with the celebrated picture Barge Haulers on the Volga, symbol of the oppressed Russian people pulling their chains. This struggle against the autocracy inspired many works. He also painted Russia's official history in such works as Ivan the Terrible Meditating at the Deathbed of his Son Ivan. Seen as one of the masters of realist painting, he devoted himself to portraying the lives of his contemporaries: the most renowned Russian writers, artists, and intellectuals; peasants at work; the faithful in procession; and revolutionaries on the barricades. He understood the pains of the people perfectly, as well as the needs and the joys of ordinary lives. Kramskoï said on this subject: "Repin has a gift for showing the peasant as he is. I know many painters who show the moujik, and they do it well, but none can do so with as much talent as Repin." Repin's works, which depart from the academic constraints of their predecessors, are both delicate and powerful. He achieved a superior mastery of skill, and found new accents to transcribe the many-coloured and brilliant vibrations he sensed in the ordinary world around him.
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