The Holocaust in Italian Culture, 1944–2010
(eBook)

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Published
Stanford University Press, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780804782630

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Citations

APA Citation (style guide)

Robert Gordon., & Robert Gordon|AUTHOR. (2012). The Holocaust in Italian Culture, 1944–2010 . Stanford University Press.

Chicago / Turabian - Author Date Citation (style guide)

Robert Gordon and Robert Gordon|AUTHOR. 2012. The Holocaust in Italian Culture, 1944–2010. Stanford University Press.

Chicago / Turabian - Humanities Citation (style guide)

Robert Gordon and Robert Gordon|AUTHOR. The Holocaust in Italian Culture, 1944–2010 Stanford University Press, 2012.

MLA Citation (style guide)

Robert Gordon, and Robert Gordon|AUTHOR. The Holocaust in Italian Culture, 1944–2010 Stanford University Press, 2012.

Note! Citation formats are based on standards as of August 2021. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouping Information

Grouped Work IDec46e1d3-1e4c-3523-6b62-ed0d93e28ae9
Full titleholocaust in italian culture 1944 2010
Authorgordon robert
Grouping Categorybook
Last Update2021-09-16 20:56:14PM
Last Indexed2021-09-19 04:51:10AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 27, 2021
Last UsedAug 27, 2021

Hoopla Extract Information

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    [artist] => Robert Gordon
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            [3] => Jewish
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    [synopsis] => The Holocaust in Italian Culture, 1944–2010 is the first major study of how postwar Italy confronted, or failed to confront, the Holocaust. Fascist Italy was the model for Nazi Germany, and Mussolini was Hitler's prime ally in the Second World War. But Italy also became a theater of war and a victim of Nazi persecution after 1943, as resistance, collaboration, and civil war raged. Many thousands of Italians-Jews and others-were deported to concentration camps throughout Europe. After the war, Italian culture produced a vast array of stories, images, and debate through which it came to terms with the Holocaust's difficult legacy. Gordon probes a rich range of cultural material as he paints a picture of this shared encounter with the darkest moment of twentieth-century history. His book explores aspects of Italian national identity and memory, offering a new model for analyzing the interactions between national and international images of the Holocaust.
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