The Crossing of the Visible
(eBook)

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Published
Stanford University Press, 2003.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781503602717

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Citations

APA Citation, 7th Edition (style guide)

Jean-Luc Marion., & Jean-Luc Marion|AUTHOR. (2003). The Crossing of the Visible . Stanford University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jean-Luc Marion and Jean-Luc Marion|AUTHOR. 2003. The Crossing of the Visible. Stanford University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jean-Luc Marion and Jean-Luc Marion|AUTHOR. The Crossing of the Visible Stanford University Press, 2003.

MLA Citation, 9th Edition (style guide)

Jean-Luc Marion, and Jean-Luc Marion|AUTHOR. The Crossing of the Visible Stanford University Press, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDaca0a54a-ef61-a5ad-fd33-5a7f0213b543-eng
Full titlecrossing of the visible
Authormarion jean luc
Grouping Categorybook
Last Update2023-09-02 20:01:13PM
Last Indexed2024-04-20 02:27:25AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 17, 2023
Last UsedFeb 24, 2024

Hoopla Extract Information

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    [synopsis] => Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance, or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
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