Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature
(eBook)

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Published
Stanford University Press, 2011.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780804780681

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APA Citation, 7th Edition (style guide)

Benjamin Widiss., & Benjamin Widiss|AUTHOR. (2011). Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature . Stanford University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Benjamin Widiss and Benjamin Widiss|AUTHOR. 2011. Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature. Stanford University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Benjamin Widiss and Benjamin Widiss|AUTHOR. Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature Stanford University Press, 2011.

MLA Citation, 9th Edition (style guide)

Benjamin Widiss, and Benjamin Widiss|AUTHOR. Obscure Invitations: The Persistence of the Author in Twentieth-Century American Literature Stanford University Press, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDcb087069-2a1b-b9d4-2232-3fb04e931dc5-eng
Full titleobscure invitations the persistence of the author in twentieth century american literature
Authorwidiss benjamin
Grouping Categorybook
Last Update2023-09-02 20:01:13PM
Last Indexed2024-04-13 02:21:35AM

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    [synopsis] => Literary studies in the post-war era have consistently barred attributing specific intentions to authors based on textual evidence or ascribing textual presences to the authors themselves. Obscure Invitations argues that this taboo has blinded us to fundamental elements of twentieth-century literature. Widiss focuses on the particularly self-conscious constructions of authorship that characterize modernist and postmodernist writing, elaborating the narrative strategies they demand and the reading practices they yield. He reveals that apparent manifestations of "the death of the author" and of the "free play" of language are performances that ultimately affirm authorial control of text and reader. The book significantly revises received understandings of central texts by Faulkner, Stein, and Nabokov. It then discusses Eggers' Heartbreaking Work of Staggering Genius and the films Seven and The Usual Suspects, demonstrating that each is a highly self-aware rebuttal of the notion of authorial absence.
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