Solomon R. Guggenheim Museum: An Architectural Appreciation
(eBook)

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Published
Guggenheim Museum, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780892075010

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2013). Solomon R. Guggenheim Museum: An Architectural Appreciation . Guggenheim Museum.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2013. Solomon R. Guggenheim Museum: An Architectural Appreciation. Guggenheim Museum.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Solomon R. Guggenheim Museum: An Architectural Appreciation Guggenheim Museum, 2013.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Solomon R. Guggenheim Museum: An Architectural Appreciation Guggenheim Museum, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa733dd11-fb61-e5b0-243b-6b855d3e83bd-eng
Full titlesolomon r guggenheim museum an architectural appreciation
Authorauthors various
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-20 02:22:06AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 25, 2022
Last UsedJul 13, 2023

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    [synopsis] => In 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim, asking the architect to design a new building to house Guggenheim's four-year-old Museum of Non-Objective Painting. The project evolved into a complex struggle pitting the architect against his clients, city officials, the art world and public opinion, but the resultant achievement testifies to both Wright's architectural genius and the adventurous spirit of its founders. The Guggenheim Museum is an embodiment of Wright's attempts to render the inherent plasticity of organic forms in architecture. His inverted ziggurat dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the segments of an orange, into self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another. Solomon R. Guggenheim Museum: An Architectural Appreciation celebrates Wright's crowning achievement with reflections by prominent architects, historians and critics. Paired alongside a half-century of photographs, they convey how, as Paul Goldberger has said, almost every museum of our time is a child of the Guggenheim."
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