Stalking the Subject: Modernism and the Animal
(eBook)

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Published
Columbia University Press, 2008.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231518567

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Citations

APA Citation, 7th Edition (style guide)

Carrie Rohman., & Carrie Rohman|AUTHOR. (2008). Stalking the Subject: Modernism and the Animal . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carrie Rohman and Carrie Rohman|AUTHOR. 2008. Stalking the Subject: Modernism and the Animal. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carrie Rohman and Carrie Rohman|AUTHOR. Stalking the Subject: Modernism and the Animal Columbia University Press, 2008.

MLA Citation, 9th Edition (style guide)

Carrie Rohman, and Carrie Rohman|AUTHOR. Stalking the Subject: Modernism and the Animal Columbia University Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7c9c3868-56e9-67fc-c14d-2128ff7792ea-eng
Full titlestalking the subject modernism and the animal
Authorrohman carrie
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-18 01:15:19AM

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    [synopsis] => Human and animal subjectivity converge in a historically unprecedented way within modernism, as evolutionary theory, imperialism, antirationalism, and psychoanalysis all grapple with the place of the human in relation to the animal. Drawing on the thought of Jacques Derrida and Georges Bataille, Carrie Rohman outlines the complex philosophical and ethical stakes involved in theorizing the animal in humanism, including the difficulty in determining an ontological place for the animal, the question of animal consciousness and language, and the paradoxical status of the human as both a primate body and a "human" mind abstracting itself from the physical and material world. Rohman then turns to the work of Joseph Conrad, D. H. Lawrence, H. G. Wells, and Djuna Barnes, authors who were deeply invested in the relationship between animality and identity.  The Island of Dr. Moreau embodies a Darwinian nightmare of the evolutionary continuum;  The Croquet Player thematizes the dialectic between evolutionary theory and psychoanalysis; and  Women in Love,  St. Mawr, and  Nightwood all refuse to project animality onto others, inverting the traditional humanist position by valuing animal consciousness. A novel treatment of the animal in literature, Stalking the Subject provides vital perspective on modernism's most compelling intellectual and philosophical issues.
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