Introduction to Documentary
(eBook)

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Published
Indiana University Press, 2017.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253026903

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Citations

APA Citation, 7th Edition (style guide)

Bill Nichols., & Bill Nichols|AUTHOR. (2017). Introduction to Documentary . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Bill Nichols and Bill Nichols|AUTHOR. 2017. Introduction to Documentary. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Bill Nichols and Bill Nichols|AUTHOR. Introduction to Documentary Indiana University Press, 2017.

MLA Citation, 9th Edition (style guide)

Bill Nichols, and Bill Nichols|AUTHOR. Introduction to Documentary Indiana University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID1144d9c3-f146-9d2c-fc54-ba71e9263fff-eng
Full titleintroduction to documentary
Authornichols bill
Grouping Categorybook
Last Update2023-08-26 20:01:13PM
Last Indexed2024-03-28 23:35:46PM

Book Cover Information

Image Sourcehoopla
First LoadedMar 22, 2023
Last UsedMar 23, 2023

Hoopla Extract Information

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    [synopsis] => The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals.
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