Futile Pleasures

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Fordham University Press, 2017.
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APA Citation, 7th Edition (style guide)

Corey McEleney., & Corey McEleney|AUTHOR. (2017). Futile Pleasures . Fordham University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Corey McEleney and Corey McEleney|AUTHOR. 2017. Futile Pleasures. Fordham University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Corey McEleney and Corey McEleney|AUTHOR. Futile Pleasures Fordham University Press, 2017.

MLA Citation, 9th Edition (style guide)

Corey McEleney, and Corey McEleney|AUTHOR. Futile Pleasures Fordham University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDad0c2be3-7861-3f84-b071-153b464f703a
Full titlefutile pleasures early modern literature and the limits of utility
Authormceleney corey
Grouping Categorybook
Last Update2021-09-16 20:56:14PM
Last Indexed2021-12-03 07:14:27AM

Hoopla Extract Information

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    [language] => ENGLISH
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    [synopsis] => Against the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own. During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature's potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced.
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    [subtitle] => Early Modern Literature And The Limits Of Utility
    [publisher] => Fordham University Press