Drawing the Line: Toward an Aesthetics of Transitional Justice
(eBook)

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Published
Fordham University Press, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780823254170

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Citations

APA Citation, 7th Edition (style guide)

Carrol Clarkson., & Carrol Clarkson|AUTHOR. (2013). Drawing the Line: Toward an Aesthetics of Transitional Justice . Fordham University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carrol Clarkson and Carrol Clarkson|AUTHOR. 2013. Drawing the Line: Toward an Aesthetics of Transitional Justice. Fordham University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carrol Clarkson and Carrol Clarkson|AUTHOR. Drawing the Line: Toward an Aesthetics of Transitional Justice Fordham University Press, 2013.

MLA Citation, 9th Edition (style guide)

Carrol Clarkson, and Carrol Clarkson|AUTHOR. Drawing the Line: Toward an Aesthetics of Transitional Justice Fordham University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDfb1ab31e-bdbe-879b-f345-598476e633e5-eng
Full titledrawing the line toward an aesthetics of transitional justice
Authorclarkson carrol
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-27 03:52:59AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 17, 2023
Last UsedJan 17, 2023

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    [synopsis] => Drawing the Line examines the ways in which cultural, political, and legal lines are imagined, drawn, crossed, erased, and redrawn in post-apartheid South Africa-through literary texts, artworks, and other forms of cultural production. Under the rubric of a philosophy of the limit, and with reference to a range of signifying acts and events, this book asks what it takes to recalibrate a sociopolitical scene, shifting perceptions of what counts and what matters, of what can be seen and heard, of what can be valued or regarded as meaningful. The book thus argues for an aesthetics of transitional justice and makes an appeal for a post-apartheid aesthetic inquiry, as opposed to simply a political or a legal one. Each chapter brings a South African artwork, text, speech, building, or social encounter into conversation with debates in critical theory and continental philosophy, asking: What challenge do these South African acts of signification and resignification pose to current literary-philosophical debates?
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