Sisley
(eBook)

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Published
Parkstone International, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781781606353

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Citations

APA Citation, 7th Edition (style guide)

Nathalia Brodskaya., & Nathalia Brodskaya|AUTHOR. (2013). Sisley . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. 2013. Sisley. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. Sisley Parkstone International, 2013.

MLA Citation, 9th Edition (style guide)

Nathalia Brodskaya, and Nathalia Brodskaya|AUTHOR. Sisley Parkstone International, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID00f69ab2-90b0-9b4f-7b33-b7bb0a2c65b9-eng
Full titlesisley
Authorbrodskaya nathalia
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-19 23:15:53PM

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Image Sourcehoopla
First LoadedMar 15, 2023
Last UsedMay 24, 2023

Hoopla Extract Information

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    [synopsis] => A painter of the Impressionist movement, Alfred Sisley was born on October 30th 1839 in Paris but was of British origin. He died on January 29th 1899 in Moret-sur-Loing. Growing up in a musical family, he chose to pursue painting rather than the field of business. In 1862 he enrolled in Gleyre's studio where he encountered Renoir, Monet, and Bazille. The four friends left their master's studio in March 1863 to work outdoors, setting their easels to paint the forest scenes of Fontainebleau.

Sisley tirelessly chose the sky and water as subjects for his paintings, animated as they were by the changing reflections of light, for his landscapes of the regions surrounding Paris, Louveciennes, and Marly-le-Roi. This was in keeping with the painting styles of Constable, Bonington, and Turnet. Even if he had been influenced by Monet's work at some point, Sisley drew away from his friend's style due to his own desire for his work to follow the structure of forms. Sensitive to the changing seasons, he liked to portray spring with its blooming orchards, but it was the wintry and snowy countryside which Sisley was particularly attracted to. His reserved temperament preferred mystery and silence to the splendour of Renoir's sunny landscapes.
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