The Fauves

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Parkstone International, 2014.
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APA Citation (style guide)

Nathalia Brodskaya., & Nathalia Brodskaya|AUTHOR. (2014). The Fauves . Parkstone International.

Chicago / Turabian - Author Date Citation (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. 2014. The Fauves. Parkstone International.

Chicago / Turabian - Humanities Citation (style guide)

Nathalia Brodskaya and Nathalia Brodskaya|AUTHOR. The Fauves Parkstone International, 2014.

MLA Citation (style guide)

Nathalia Brodskaya, and Nathalia Brodskaya|AUTHOR. The Fauves Parkstone International, 2014.

Note! Citation formats are based on standards as of August 2021. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouping Information

Grouped Work ID9b24317b-7a80-2e34-43a1-e6fde0cc0763
Full titlefauves
Authorbrodskaya nathalia
Grouping Categorybook
Last Update2021-09-16 20:56:14PM
Last Indexed2021-09-20 04:47:16AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 6, 2021
Last UsedApr 6, 2021

Hoopla Extract Information

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    [year] => 2014
    [artist] => Nathalia Brodskaya
    [fiction] => 
    [coverImageUrl] =>
    [titleId] => 11751567
    [isbn] => 9781783103935
    [abridged] => 
    [language] => ENGLISH
    [profanity] => 
    [title] => The Fauves
    [demo] => 
    [segments] => Array

    [pages] => 273
    [children] => 
    [artists] => Array
            [0] => stdClass Object
                    [name] => Nathalia Brodskaya
                    [relationship] => AUTHOR


    [genres] => Array
            [0] => Art
            [1] => European
            [2] => History
            [3] => Modern (late 19th Century To 1945)
            [4] => Painting
            [5] => Techniques

    [price] => 0.99
    [id] => 11751567
    [edited] => 
    [kind] => EBOOK
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    [synopsis] => Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
    [url] =>
    [pa] => 
    [publisher] => Parkstone International