Conversing by Signs: Poetics of Implication in Colonial New England Culture
(eBook)

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Published
The University of North Carolina Press, 2000.
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Available Online

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Format
eBook
Language
English
ISBN
9780807864715

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APA Citation, 7th Edition (style guide)

Robert Blair St. George., & Robert Blair St. George|AUTHOR. (2000). Conversing by Signs: Poetics of Implication in Colonial New England Culture . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert Blair St. George and Robert Blair St. George|AUTHOR. 2000. Conversing By Signs: Poetics of Implication in Colonial New England Culture. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert Blair St. George and Robert Blair St. George|AUTHOR. Conversing By Signs: Poetics of Implication in Colonial New England Culture The University of North Carolina Press, 2000.

MLA Citation, 9th Edition (style guide)

Robert Blair St. George, and Robert Blair St. George|AUTHOR. Conversing By Signs: Poetics of Implication in Colonial New England Culture The University of North Carolina Press, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDebb43da1-74f5-2541-abf8-6d98aa2e2c8e-eng
Full titleconversing by signs poetics of implication in colonial new england culture
Authorgeorge robert blair st
Grouping Categorybook
Last Update2023-08-27 20:00:41PM
Last Indexed2024-03-27 03:41:50AM

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    [synopsis] => The people of colonial New England lived in a densely metaphoric landscape--a world where familiars invaded bodies without warning, witches passed with ease through locked doors, and houses blew down in gusts of angry, providential wind. Meaning, Robert St. George argues, was layered, often indirect, and inextricably intertwined with memory, apprehension, and imagination. By exploring the linkages between such cultural expressions as seventeenth-century farmsteads, witchcraft narratives, eighteenth-century crowd violence, and popular portraits of New England Federalists, St. George demonstrates that in early New England, things mattered as much as words in the shaping of metaphor.      These forms of cultural representation--architecture and gravestones, metaphysical poetry and sermons, popular religion and labor politics--are connected through what St. George calls a 'poetics of implication.' Words, objects, and actions, referentially interdependent, demonstrate the continued resilience and power of seventeenth-century popular culture throughout the eighteenth century. Illuminating their interconnectedness, St. George calls into question the actual impact of the so-called Enlightenment, suggesting just how long a shadow the colonial climate of fear and inner instability cast over the warm glow of the early national period.
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