Isles of Noise: Sonic Media in the Caribbean
(eBook)

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Published
The University of North Carolina Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781469628707

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Citations

APA Citation, 7th Edition (style guide)

Alejandra Bronfman., & Alejandra Bronfman|AUTHOR. (2016). Isles of Noise: Sonic Media in the Caribbean . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Alejandra Bronfman and Alejandra Bronfman|AUTHOR. 2016. Isles of Noise: Sonic Media in the Caribbean. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Alejandra Bronfman and Alejandra Bronfman|AUTHOR. Isles of Noise: Sonic Media in the Caribbean The University of North Carolina Press, 2016.

MLA Citation, 9th Edition (style guide)

Alejandra Bronfman, and Alejandra Bronfman|AUTHOR. Isles of Noise: Sonic Media in the Caribbean The University of North Carolina Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDd1bd4f99-8e0a-2e21-ebae-b66103009e68-eng
Full titleisles of noise sonic media in the caribbean
Authorbronfman alejandra
Grouping Categorybook
Last Update2024-05-14 23:01:28PM
Last Indexed2024-05-16 02:02:04AM

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    [synopsis] => In this media history of the Caribbean, Alejandra Bronfman traces how technology, culture, and politics developed in a region that was "wired" earlier and more widely than many other parts of the Americas. Haiti, Cuba, and Jamaica acquired radio and broadcasting in the early stages of the global expansion of telecommunications technologies. Imperial histories helped forge these material connections through which the United States, Great Britain, and the islands created a virtual laboratory for experiments in audiopolitics and listening practices. As radio became an established medium worldwide, it burgeoned in the Caribbean because the region was a hub for intense foreign and domestic commercial and military activities. Attending to everyday life, infrastructure, and sounded histories during the waxing of an American empire and the waning of British influence in the Caribbean, Bronfman does not allow the notion of empire to stand solely for domination. By the time of the Cold War, broadcasting had become a ubiquitous phenomenon that rendered sound and voice central to political mobilization in the Caribbean nations throwing off what remained of their imperial tethers.
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